counter easy hit Interiority - Daily ZTA


  • utarahman10052
  • Nov 18, 2023

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For the past decade, Greek digital artist Underdott has worked primarily as an architect, a field that requires significant and urgent attention to detail. This careful precision is clearly visible in his art – and yet his art gives him the space to dispense with norms or rules. “My art satisfies my inner need for creativity in a way that architecture cannot.” Inspired by his father, also an architect and traditional painter, Underdott devoted himself to art from an early age. Now he uses experiences from everyday life to construct scenes from surrealism.



Fine Art: Printed on Fuji Crystal Archive paper, with natural white mats, covered with glossy float glass and presented with classic wooden frames.

What The Hell Is Interiority And How Do You Get It?

Click here to view images and videos on how the art editions differ so you can choose the best purchasing method.

On the wall vs. Me, we not only want to help you embrace your inner rebel and challenge the mainstream, but we also support the quality of our unique art. We understand that even rebels sometimes need a little flexibility. That’s why we offer a 7-day return/refund policy. If for any reason the piece you choose does not match your vision or speak to your soul as you hoped, you have a full week to return it and get your money back. We believe in the freedom to choose, change and chart your own path – because art, like life, is an ever-evolving journey of self-expression. So go ahead and manage your room, risk-free.

Please note that return shipping costs and packaging are the responsibility of the customer. To qualify for a refund, the artwork must be returned in perfect condition and undamaged.

Each piece of art is backed by the Wall vs. Production and Shipping Guarantee. Wall. From compilation to printing, from delivery to service, we strive for quality. We offer a 14-day warranty on all products. If your artwork is damaged in any way, please email us a photo (shipping label and damaged areas) within 14 days. We send 100% free replacements. Keat Ong introduced his own form creation formulation “INJARC”, which consisted of 6 methods as illustrated above.

Interiority: Reflecting On The Inward Gaze

He showed 3 projects to show how they were implemented in the design. The first project is a commercial space with an obtrusive mass at the entrance that adds exclusivity to the shops with glass walls. Upon entering we saw another door that gives access to another room with panels and furniture with a Fragmentation method that brings unity to the divided space.

The second project is a series of huts at the base designed as protruding volumes, as if emerging from the hillside, which is a good demonstration of the Burglary Method. They stack on top of each other, facing slightly different directions, to look more organic. It also includes a ceiling and wall design that showcases Keat Ong’s sensitivity to detail.

The latest project shows manipulation of the space as layers of wavy panels have been added to the ceiling to reduce the height of the room as it is too high for one occupant. The project also demonstrated the break-in method to achieve ceiling continuity in rooms. Masses of gray metal ‘spaceships’ housing the house are spread across the occupant, creating unity in the wall design.


The positioning and appropriateness of this methodology were questioned during the session, but ultimately Keat concluded that there are a thousand forms of innovation, but good design is about sensitivity, in terms of recognizing potential and knowing the limits from your customer. Is there a better feeling than reading a book that takes you completely into someone else’s thoughts? As you read the final pages, you feel as if by finishing the novel you are losing a friend, a loved one, or even a part of yourself, an identity that will always be a small part of you.

Interiority Stock Photo By ©valentinaphotos 22461335

Personally, I’m a little Jane Eyre, a little Elizabeth Bennet and a little HoldenCaulfield, with a little Stephen Daedalus.

No film has been made that can even come close to that. That’s why the movie is always a poor replica of the book.

I believe one of the things that makes the novel irreplaceable, rather than interchangeable with the film, is its quality of getting into a character’s head.

And yet, because so much writing advice comes from screenwriting teachers, so many writers are afraid to incorporate into their own writing the very thing that might help them achieve that effect. And the old adage “show, don’t tell” seems to suggest that we should imagine ourselves as a camera lens, capturing all the visual elements of the scene we are writing. Even the word “scene” is a visual metaphor.

The Soft, The Subtle, The Slow

This is unfortunate and keeps many writers from really engaging and immersing their readers in their stories, and really letting them know what’s going on.

If you want to write the kind of book where readers fall in love and identify with your characters, where they defend them in their book club with as much passion as if they were talking about their deepest character traits, or where they explore and remove dark sides. aspects of yourself through your characters, notice again how you handle and convey interiority.

Because interiority is what novels do better than cinema, and it always will be. Interiority makes us feel like we know these characters so well that when the book ends, we feel like we’ve lost a friend.


When I talk about interiority, I mean the thoughts, associations, intentions, and desires of a point-of-view character, put on the page through reported thoughts, memories, and flashbacks. Interiority witnesses characters give meaning to situations, relating them to what they know, what they expect, what they hope for.

Launching Soon The 5th Number Of Sophia Journal

In an effort to heed the advice of “show, don’t tell,” many writers rely heavily on describing the physical manifestation of interiority; crying, sighing, clenching his fist. While they have a place, they are often more opaque than you might think. Body language without interiority can make the reader feel like they are on the outside looking in, begging to know what is going on.

Since the invention of the novel, techniques for conveying interiority have become increasingly sophisticated. Jane Austen is known for her innovation with free indirect speech, where she used the omniscient voice but freely inhabited a particular character to show what they were thinking, how they interpreted a scene. A century later, modernists implemented and invented stream of consciousness, which captures the chaotic shapes we conceive.

Some scholars have suggested that in this way the novel literally changed the way we think about our identities, the way we understand ourselves as individuals, the way we perceive reality.

I must recognize that writers publishing today exist on a spectrum between the outward nature of Hemingway’s literary pedigree and the extreme inward nature of Virginia Woolf.

Unbounded: On The Interior And Interiority

So it’s partly a stylistic choice to use interiority in your fiction. However, many writers use this as an escape clause so that they don’t have to rush into strong emotions or involve their readers in difficult, uncomfortable feelings (or because they themselves don’t really know what the character is thinking or doing). feeling). ). ).

I would say that one of the most transformative things you can do as a writer is to think about whether you are really introducing the reader to the strong, deep emotions and meanings of a text. And if not, could interiority be the missing tool to make your story more powerful and compelling?

In commercial women’s fiction. readers expect third- or first-person narratives with a high degree of interiority, but combined with strong narrative design, clarity, and focus that prevent it from veering into the challenging experimentation of postmodern literary fiction.


And with the rise of the domestic thriller and the psychological thriller, there’s a natural home for writers using interiority in the crime genre, which you might consider more plot-driven.

Constructive Developmental Interiority: Deliberately Transformative Action Research

By Colm Toíbín is an example of literary/sophisticated fiction that tends toward interiority, what it’s like to be inside someone else’s head, to think their thoughts, to feel their emotions.

She got up and went to the bathroom in silence; she thought she would eat breakfast at one of the fast food restaurants on Fulton Street, as she had seen people do on their way to work. Once dressed and ready, she tiptoed out of the house. She didn’t want to meet the others. It was only half past seven. She thought she would sit somewhere for an hour, have coffee and a sandwich, and then go to work early.

You have noticed that interiority begins quite superficially and informs us of a simple intention to leave the house quietly. Did you notice that the author uses tell to summarize this intention: “She didn’t want to meet any of the others.” In

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