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Hologram Technology Entertainment
What do Michael Jackson, Frank Zappa, Whitney Houston and Tupac have in common? We were able to pay tribute to these famous actors through the “holographic resurrection” series. These posthumous celebrity appearances are mistakenly called “holograms,” when in reality Tupac at Coachella, Michael Jackson at the Billboard Music Awards, and Frank Zappa’s Hologram Tour, among many other examples, are not holograms at all.
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These examples are iterations of the Pepper Ghost, an illusion popularized at carnivals, fairs, and concerts since the mid-1800s by British scientist John Henry Pepper. Pepper’s Ghost, one of the roots of the smoke and mirrors technique, works by projecting P2 images from an opaque surface. Unlike real holograms, the Pepper’s Ghost illusion does not show objects that have depth and volume.
Another form of experiential technology is the use of augmented reality (AR) and virtual reality (VR) for live concerts. While still in their infancy in the United States, VR and VR concerts are a popular trend in Asia. America is on fire, with popular artists turning to virtual and augmented reality concerts.
The use of head-mounted AR and VR displays can be quite impressive; however, the limited resolution along with the narrow field of view and the inability of the eye to focus truly freely can hinder a true viewing experience. More importantly, they do not create true holograms. Although VR and AR can simulate holographic data collection along with motion tracking, the technology does not display the hologram to users who still only see images on flat, P2 screens.
Although the fake Tupac and Michael Jackson “holograms” are 2D illusions and VR programs, they are not, by definition,
Holograms And Voxels: The Future Of 3d Displays
However, they reveal that we have reached a new era in how people engage with and consume content. Entertainers, marketers and brands must consider new ways to reach audiences in different and engaging ways.
As a marketer working with global actors and brands, I believe that virtual holograms of real people and objects can change the way content and media are used in a seamless entertainment experience. Looking ahead, a concert or event could allow attendees to interact with real holographic celebrities as if they were on stage performing in real life.
Whether it’s eulogizing a veteran musician or giving attendees access to broadcasters in remote locations, holographic technology can extend live event production and performance into futuristic worlds previously limited to science fiction. Imagine “skinning” celebrities in multi-city events in a 3D environment that presents a photo-realistic representation of the location and action scenes that engage the audience in ways that mimic the real world.
There are several things working now to bring holograms to audiences everywhere. The real pioneers in this industry are the Light Field Lab team from Silicon Valley, with whom I have worked for many years, recently presented an impressive demonstration of SolidLight technology, a high-resolution holographic display platform that turns virtual holograms into reality for displaying 3D SolidLight. things that move correctly, move back and reflect in physical space.
World First Ar Zoo: How Holograms Will Change Entertainment
A recent entry into the 3D scene in 2020 was Portrait in the Mirror. A glasses-free auto display is often referred to as “holographic”, when in reality, the technology doesn’t project a real object into space or allow the eye to focus on an image the way it does in the real world. Kaleida created Holonet, an advanced metal mesh that can be stretched onto a transparent screen to create 3D objects and effects. The solution provides easy installation and portability when visiting live events and essentially uses the same 2D illusion technique as Pepper’s Ghost. Researchers at MIT have advanced toward a true holographic experience by using AI to generate holograms through “tensor holography.”
Beyond the experience, holographic technology offers a unique opportunity to change the entertainment and music event business model on many levels. This includes reducing travel costs, scheduling constraints and security issues as talent has the ability to join remotely. This technology can also enable new real-world campaigns and drive events that engage fans emotionally at levels unattainable with existing 2D display solutions.
Immersive experiences are not only emerging in the world of entertainment, but are also a growing trend in the advertising industry. From high-traffic city streets to squares and plazas, billboards are designed to catch the eye of consumers to showcase new products and marketing campaigns. Businesses want to transform marketing strategies into immersive experiences that better meet the modern needs of traditional consumers. AR Corporation Rock Paper Reality states that traditional out-of-home advertising and digital advertising “focus on the same goals to increase brand awareness, develop customer loyalty and ultimately increase sales.”
People are immersed in 2D digital screens, and the Covid-19 pandemic is further increasing the time spent on screens. In the race to win consumers’ attention, advertisers have entered a new era of innovation where virtual entertainment and experiences are at the forefront. the root of content creation. Imagine looking at a billboard in Times Square where larger-than-life shoes appear in the air, showing every angle of the shoe as it escapes the screen and merges with reality.
Why You Could Soon Be Communicating By Hologram
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Marlon Wayans on adjusting to his eldest son’s transition: ‘I just want my kids to be free’ When a late-night music star returns to the stage in hologram form, what does it mean for the industry, audiences and the future of music? We explore the world of holograms…
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“Imagine a world where you can experience classic events like Woodstock, The Beatles’ debut at the Cavern Club or David Bowie’s last Ziggy Stardust show at the Hammersmith Apollo,” says Gennaro Castaldo of the British Phonographic Industry (BPI).
In the field of music entertainment in 2019, anything is possible. From mind-bending visual effects to state-of-the-art 3D projection, our world of live entertainment is expanding at an incredible pace. As Gennaro suggests, soon there will be no limit to what – and who – we can pay to see, dead or alive. “It’s exciting that artificial intelligence (AI), virtual and augmented reality, CGI and holograms have the potential to continue to improve and advance the musical experience.”
In October, music stars Roy Orbison and Buddy Holly will embark on a joint tour visiting some of the UK’s most prestigious venues. Their Rock ‘N’ Roll Dream Tour follows Roy’s 2018 run of ‘live’ dates, playing his catalog full of songs from the kinds of stages you’d associate with an artist of his stature and influence. There is only one important difference to Live Dates from similar stories; Roy has been dead for over 30 years.
These late rock ‘n’ roll artists are among a growing number of musical pioneers to be resurrected, albeit digitally. Hip-hop legend Tupac Shakur first came to public attention at California’s Coachella festival in 2012. Michael Jackson soon followed and talks are underway to revive soul singer Amy Winehouse.
Old Musicians Never Die. They Just Become Holograms.
Roy and Buddy’s next two titles were put together by BASE Hologram, one of several international technology companies vying for dominance in this new field of live music. “As a company, BASE has always been at the forefront of what’s new and exciting.” For us, holograms are the next natural step in live entertainment,” says Brian Becker, President and CEO of BASE Entertainment and BASE Holograms.
“Our goal is to combine the significant and still growing demand for live concerts, theater and spectacles with the growing interest in virtual reality (VR), augmented reality and holographic film technology.”
But despite the obvious thrill of seeing superstars “perform” their biggest hits live, these efforts raise new questions that go beyond mere entertainment. Will this new wave of musical nostalgia keep budding talent from taking center stage? And is there anything that can be interpreted as disrespectful in treating dead artists in this way? It’s probably a constant reminder of the talent we’ve lost…
Let’s take a look at the technology used here. Holograms are 3D images created by the interference of light rays and have existed in various forms for decades. When the new record
The Past, Present And Future Of Hologram Technology
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